Extended artist practice | Knudkristensen

Teknikker

Keramiske arbejder opbygges ved en kombination af forskellige tekni

kker som f.eks. drejning og

modellering.

Ornamentikken tager ofte afsæt i linier, bånd og geometriske figurer og mønstre.

Desuden er jeg

optaget af rytmen i håndskrevne dokumenter og breve.

De keramiske arbejder fremstår ofte uglaseret på ydre sider og glaseret på indvendige sider.

Overflader gennemgår en grundig bearbejdning med forskellig skraben

og skravering, og

ornamentik indridses med nåle og lign. Her ovenpå lægges le

rfarver i flere forskellige lag af

farvenuancer. Ved gentagen skraben og pålægning af farve opstår

der dybde og variation i

farvefladerne. Efter farvelægning glittes

”

poleres

”

overfladen med blankslebne sten.

De keramiske arbejder brændes højt, mellem 1100-1250 ́C.

Ceramic: 'Made of clay and permanently hardened by heat'

I am a danish ceramic artist

I am inspired by African and Arabic culture (Asian,egypsen)

i integrate an inspiration for .. culture.

the enclosed spaces closed-up form, bombastic/pompous language

stoic , school of Stoicism

I am focused on a tight shape with clean architectonically lines

I create ornamented surfaces with an eye for details

I am using an experimental approach - playing with a variety of shapes and structures in the development of my artist practice

I am searching for an aesthetic balance that aims to evoke a feeling of a quietness and a meditative state of mind

I am showing you lidded jars, pots, bowls, dishes, glasses and cups

stoneware, finely hatched surface - scratched in the rough surface

The tough contours of his work, which consists of platters, bowls and both tall and small lidded jars, are covered with various layers of thin slib.

In each unique piece I have scratched irregular lines and patterns. - short and long lines which lends the surface an effect of very fine random inlay. (illussion/snyde øjet?).

Through this run straight bands, sometimes of a contrasting color (mere om farver).

I am fascinated by the different layers in the landscape which become visible through wind and water erosion.

I draw inspiration from objects of prehistorical ages from Egypt and Greece, from African musical instruments and sculptures (fetishes and anthropological surveys/undersøgelser+china)

Ceramic: 'Made of clay and permanently hardened by heat'

I am a danish ceramic artist

I am inspired by African and Arabic culture (Asian,egypsen)

i integrate an inspiration for .. culture.

the enclosed spaces closed-up form, bombastic/pompous language

stoic , school of Stoicism

I am focused on a tight shape with clean architectonically lines

I create ornamented surfaces with an eye for details

I am using an experimental approach - playing with a variety of shapes and structures in the development of my artist practice

I am searching for an aesthetic balance that aims to evoke a feeling of a quietness and a meditative state of mind

I am showing you lidded jars, pots, bowls, dishes, glasses and cups

stoneware, finely hatched surface - scratched in the rough surface

The tough contours of his work, which consists of platters, bowls and both tall and small lidded jars, are covered with various layers of thin slib.

In each unique piece I have scratched irregular lines and patterns. - short and long lines which lends the surface an effect of very fine random inlay. (illussion/snyde øjet?).

Through this run straight bands, sometimes of a contrasting color (mere om farver).

I am fascinated by the different layers in the landscape which become visible through wind and water erosion.

I draw inspiration from objects of prehistorical ages from Egypt and Greece, from African musical instruments and sculptures (fetishes and anthropological surveys/undersøgelser+china)

artist he is inspired from + citat

The exhibition "Unicat-Neue Keramik aus Dänemark" in the Keramion in Frechen 1994

Exhibition in nederlands

Ceramic: 'Made of clay and permanently hardened by heat'

​

I am a danish ceramic artist

​

I am inspired by African and Arabic culture (Asian,egypsen)

i integrate an inspiration for .. culture.

the enclosed spaces closed-up form, bombastic/pompous language

stoic , school of Stoicism

​

I am focused on a tight shape with clean architectonically lines

I create ornamented surfaces with an eye for details

​

I am using an experimental approach - playing with a variety of shapes and structures in the development of my artist practice

​

I am searching for an aesthetic balance that aims to evoke a feeling of a quietness and a meditative state of mind

​

I am showing you lidded jars, pots, bowls, dishes, glasses and cups

​

stoneware, finely hatched surface - scratched in the rough surface

The tough contours of his work, which consists of platters, bowls and both tall and small lidded jars, are covered with various layers of thin slib.

In each unique piece I have scratched irregular lines and patterns. - short and long lines which lends the surface an effect of very fine random inlay. (illussion/snyde øjet?).

Through this run straight bands, sometimes of a contrasting color (mere om farver).

I am fascinated by the different layers in the landscape which become visible through wind and water erosion.

I draw inspiration from objects of prehistorical ages from Egypt and Greece, from African musical instruments and sculptures (fetishes and anthropological surveys/undersøgelser+china)

artist he is inspired from + citat

​

The exhibition "Unicat-Neue Keramik aus Dänemark" in the Keramion in Frechen 1994

Exhibition in nederlands